Text description provided by the architects. The project involves the renovation of a house that enjoys the unique views of the coastline in Garraf Natural Park. The main concept revolves around a series of questions: How can architecture invite the contemplation of the sea, sky, and nature? How can we reconnect humans to their original state of harmony with their natural surroundings? How can we frame the landscape, turning it into a series of pictures within a domestic space? The proposal embraces the Japanese design technique called Shakkei, meaning “borrowed scenery”, where the external landscape of the garden is integrated to become part of it. From the beginning, the house was conceived as a habitable viewpoint.
Structure, Program, and Sustainability. Originally, the house was only lived on the upper floor, with a highly compartmentalized layout consisting of corridors and rooms barely connected to each other or to the exterior. The ground floor was an independent space, lacking natural light and ventilation, due to the presence of a natural stone wall with limited openings to the outside.
The first intervention involved stripping the existing envelope and structure, recovering the ceramic roof, and demolishing the interior partitions. The design takes advantage of the original structure, consisting of a series of longitudinal load-bearing walls oriented towards the south and the views, to create a poetic architectural language that allows a flexible program.
In the day area located on the upper floor, the first bay contains the study; the second, the terrace, dining area, and kitchen; and the third, the living room, stairs, bathroom, and playroom. On the ground floor, the first and second bays contain the porch, entrance hall, master bedroom, and bathroom, while the third houses two bedrooms, a bathroom, stairs, and a laundry room.
The second phase involved creating new openings with structural reinforcements in both the facade and the interior load-bearing walls, in order to connect the three bays to each other and to the outside. This operation resulted in large windows and interior thresholds, generating four transversal circulation axes that provide a greater sensation of visual spaciousness while promoting cross ventilation.
The new sight lines stretch across the entire house, from the interior to the sea and mountains, fostering a seamless flow of thresholds and rooms connected to the landscape. The project optimizes the energy efficiency of the house and enhances the flow of natural light to the deepest areas of the interior, also taking advantage of the thermal inertia of the stone walls.
Framing the Landscape. The design presents a constructive, aesthetic, and functional decision aimed at creating a simple and unitary architectural language that gives the space a new identity. The window and the door are conceived as a unified element: an invisible threshold that both connects and separates two spaces, an in-between interstitial space that emphasizes the Japanese concept of ma, a void where light, air, and people pass through. The succession of wooden frames, formed by solid chestnut strips, emphasizes the views of the landscape. This new framing composition, where nature is the protagonist, plays with different planes and proportions to generate a new abstract scenery.
The white ceilings and walls contrast with the presence of wood and the surrounding nature while enhancing the brightness of the interior. The interplay of wooden sliding doors, in harmony with the long horizontal strips that support the rails, is inspired by the structure of the Japanese sliding panels known as fusuma. These elements, combined with the wooden flooring and custom-made furniture, give rise to a warm domestic atmosphere.
The presence of plants is intended to expand the outdoor vegetation into a new natural indoor environment. In this way, the project is an opportunity to bring humans closer to their original state of connection with nature. The duality between living and dead matter; the green of the mountain pines in contrast with the wood that once formed the chestnut trunks. A landscape between the organic and the abstract, blurring the boundaries between inside and outside. A new scenery is full of calm and harmony, where the interaction of light plays a poetic role.
Cite: “Sitges House / Roman Izquierdo Bouldstridge” [Casa Sitges / Roman Izquierdo Bouldstridge] 02 Oct 2024. ArchDaily. Accessed .
